Blue Wyvern always manages to find the most unique and amazing images. She has posted videos of performance art on her blog. The Thousand-Hand Bodhisattva is the most beautiful thing I have ever seen on video. You must take a look. Busby Berkeley would have killed to have these dancers on his sets.
I've discovered an interesting fad in blogging. Well, it's actually in art and snail mail, but there are lots of blogs about it. It's mail art, and it consists of people creating works of art on postcards and sending them to each other. There are some really beautiful things out there. This one is a favorite of mine. You can see a brief list of these blogs on Blogshares
An article in today's New York Times reviews a show at the Museum of Biblical Art called "The Next Generation: Contemporary Expressions of Faith". The show itself sounds interesting enough, but what caught my attention is the fact that these artists are specifically painting expressions of their (Christian) faith.
Including traditional still-life painting, sculpture, installation, photographs documenting a performance, and an interactive video projection, the show reflects the range of techniques found in contemporary art in general. In many cases, you would not know that Christian faith had anything to do with the work were it not for accompanying statements by the artists [my emphasis].
For hundreds of years, most European art was an expression of faith in some way, whether directly or indirectly. God is in everything, after all, and any image is a representation of God's world. In our modern, secular times, though, God has been removed from the picture. He is not part of the meaning, unless the artist says He is.
Christine Huck and George Wingate, for example, say their small, sensitively made still-life paintings are about seeing ordinary things in God's beneficent light. And while a handsome grid of pages from pool design books, with everything obscured by gold paint except windows and swimming pools, would look like a comment on consumerism in another context, it is said by its maker, Lynn Aldrich, to be about baptism.Given our habits of viewing art aesthetically and psychologically rather than religiously, paintings that involve the appropriation of Christian imagery from antique pictures do not necessarily read as expressions of faith. An intensively worked, organically shaped panel by Robert B. Eustace, with a medieval Madonna and Child emerging at the center as though in a luminous vision, could have been manufactured by a nonbeliever toying with conventions of Roman Catholic kitsch.
Such is contemporary art. A urinal disassociated from a restroom beomes art because the artist has proclaimed it so. An image of a mother bathing her child is a symbol for the Madonna and Child, only if the artist proclaims it as such. Otherwise, anything we might read into it is pure speculation.
So, The Gates are open. The NYT has a lot of pictures and video well worth registering for if you haven't already. I have a feeling that the Gates are much more impressive in person than on film. It seems like the preliminary drawings are more interesting, but I don't think that's true. It still looks very cool, and I would really like to see it for myself. Oh, well.
Looks like Diane is gaining some well deserved fame for herself. The inaugural post of Art in Toronto is an interview with her. I'm not sure about the whole red-on-black color scheme, but the blog might be worth keeping an eye on.
An article in the NYTimes, Artist's Erotic Oeuvre Is Rescued From the Trash really caught my attention this morning. It seems a man named Edward Victus has been in the hospital, and when he gets home, he will be needing some nursing care. His friends decided to clean up his apartment, getting rid of any "offensive" material in the process. Apparently, most, if not all his artwork was deemed offensive for it's erotic nature. A painter named Brian Ermanski rescued hundreds of sketches, drawings and paintings from a dumpster outside the apartment. He laid them out on the sidewalk, creating an impromptu art show of the man's works, as well as giving people a chance to give the artworks good homes.
There are so many levels to how fascinating this is. First, here is this 76 year old man's life strewn across a Manhattan street. Along with artwork, there were also resumes and tax forms in the dumpster, so we now know that Mr.Victus was never even an artist by trade. But he'll soon be an artist by reknown.
Jeffrey Miles, 21, a English student at New York University, said he had saved Mr. Victus's tax returns in case he wanted them back, and had begun shooting segments on Tuesday for a documentary film about Mr. Victus's art.
Several days ago, I discovered Industrial Art. The artist posts very interesting paintings and sketches of mining complexes in Canada. I started digging a bit more when I discovered the artist is a woman who teaches art. Her stuff is great. When you've finished digging around the archives in Industrial Art, check out the other three blogs listed at the bottom of the page and see what else she does.
I will be really interested to see how this turns out in February. The drawings are wonderful. I hope the actual project compares favorably.
I wrote an article a couple of weeks back about Wonder Woman for SoloHQ. As far as I can tell, no one read it. That's ok, it wasn't that good. Anyway, I scanned and uploaded a couple of images for that article that were never included. They deserve to be seen and discussed. (You can also go to the article to see what I said about them there.)
For those who aren't up on comic books, let me begin by saying that the artwork has improved phenominally over the years. Many comic book artists are true geniuses, like Todd McFarlane who created Spawn, and Alex Ross who is one of DC's finest. Wonder Woman has benefited greatly from this groundswell of talent. This is probably due to the fact that she is a woman, and most artists revel in drawing the female form. One can certainly see that in Wonder Woman. Another reason may be that DC editors have seen a need to spice up her image. She is not the most popular of DC's 3 major icons, just the only female one. So, her covers have been painted in lucious detail while the interior artwork suffers because the great artists are not the ones working on it - too busy doing Batman, you know. The image below is one of many covers by the brilliant artist Adam Hughs. He has done some stunning covers fror WW over the last year or so, well worth framing.

Recently, DC published an oversized graphic novel Wonder Woman:Spirit of Truth in which the amazon princess questions her roll as a superhero. She goes to an unnamed middle eastern country in order to help the populace, but they merely stone her as a foreign, half-nude temptress of Satan. She has similar reactions in other countries (though not as extreme) and decides to visit her buddy Clark Kent and ask how he deals with the issue of being "other". His answer: blend in. Take a secret identity. She tries it, likes it, and returns to this unnamed middle eastern country, this time covered from head to foot in order to blend in. This can't last, though, and in a very dramatic scene she drops her abbaya and steps forth as the shining godess she is.

Well, my advice is that if you haven't looked at comic books in many years, check them out. You might be pleasantly surprised.